About this Master's Degree (MA)
Course Overviews
This Master’s degree is ideal for those specialising in textiles, costume, fashion, photography, fine art, or emerging technologies. It allows you to apply advanced research skills to your area of interest, exploring art, design, or cultural history.
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Course Details
This Master’s degree is a direct response to the growing need for knowledge and skill-based application in the arts, heritage, museums, collection, curation and cultural sectors.
This exciting Master’s course offers you the opportunity to study a combination of art history, design history and cultural studies with a view to creating your own specialist focus and curatorial opportunities.
The programme equips you with knowledge, practical experience, and technical skills to pursue careers in curation, heritage, teaching, academia, journalism, creative production, and the museum and gallery sectors. You'll develop expertise in curating, project management, event organisation, and marketing, with hands-on opportunities like The Northern Art Gala—showcasing postgraduate work in leading museums and galleries across the Tees Valley. You’ll also contribute to PAD | Perspectives in Art and Design, the school’s online journal, and engage with current trends through programming, presenting, and writing for art and research events, including international conferences. This innovative course emphasises interdisciplinary collaboration, advanced research methods, and contemporary curatorial practices, including artist-as-curator approaches and explorations of digital and post-internet contexts. Your studies will be enriched through lectures, seminars, live briefs, tutorials, and professional curatorial opportunities. Join a vibrant postgraduate community and gain the tools to excel in curating and creative programming while shaping the future of art and design practice.
WHAT YOU WILL STUDY
MA Art, Culture & Curation
The Research Methods module introduces you to interdisciplinary practice, with the goal of establishing solid research and writing skills and a foundation in theory and methodology.
The Materials and Objects in Context module draws from archives and collections to look at the usage, consumption, creation, and trade of objects. Lectures and seminars will explore the rituals that the objects create or take part in will draw on the relationships between people and objects.
The Professional Practice module will formalise a critical review of a chosen sector contextualising your own place within design history practice. You will focus on the application and context of your own work, by developing professional approaches, work-based knowledge, skills and understanding.
The Design Cultures module restores the design element as the central theme of academic interest, without detracting from cultural and materialist contexts. It explores the values of design focusing on the premise that design decisions are intentionally made within the scope of cultures such as feminism, sustainable practice, economic and political paradigms, global perspectives, and national identities.
The Dissertation is the final module and is a significant and substantial learning activity. While this is largely an independent project you will be supported by a personal supervisor who will assist you by providing advice and guidance on how to prepare, produce and improve your dissertation.
Industry Links
The Northern School of Art enjoys a unique geographical position and is closely located to many galleries, museums and National Trust properties such as: -Hartlepool Art Gallery -Museum of Hartlepool -Pineapple Black -Kirkleatham Museum -Preston Park Museum and Grounds -Bowes Museum -National Trust UK -Pink Collar Gallery Numerous important heritage properties are on our doorstep which allows us access to important collections, artifacts, art works and objects.
APPLY NOW FOR A MASTER'S DEGREE
Alyson Agar
Senior Lecturer
Alyson is an artist and lecturer, living and working in the north east of England. Lecturing since 2003, her specialisms include: History of Art, Fine Art Critical theory, Photographic theory, Film theory and New Media theory.
Alyson holds a BA (Hons) in Fine Art (First Class), a Research Fellowship in Fine Art and Critical Theory, a PGCE in Post-Compulsory Education, and an MA in Photographic Practice and Theory. Alyson has worked in a variety of roles within the creative industry and continues to work freelance, her visual arts practice is rooted within lens-based theories. Alyson is currently working towards her PhD.
Since graduating in 2003, Alyson has worked within Art Direction, Advertising, Creative P.R., Journalism and Publishing. As a visual artist, Alyson’s work has been shown nationally and internationally, including: Japan, Santorini Biennale of Arts and New York. She has recently undertaken residencies in Iceland, Berlin and Ukraine.
She is the author of several photobooks, including: Elevations (2017), Ukrainian Smile (2016), published by Collective 26:86, Solid Paradise (2016) and The Tricks: A Pyschogeographic Survey (2015), and a photozine in conjunction with mima’s David Lynch Interventions programme. Alyson also writes for PAD (Perspectives in Art and Design) an online platform for the publication of staff and student research at The Northern School of Art.
Qualifications: PGCE, MA, (Studying PhD), FHEA, FRSA
Olivia Burton
Director of SAR / Head of Faculty
Olivia joined The Northern School of Art in 2017, after working in industry for over twelve years. Olivia’s dual role as Director, focuses on the School’s approach to Research and Scholarly Activity while overseeing the leadership of the Visual Arts Faculty. Olivia is a specialist in higher education with her doctorate research focusing on Creative Art School pedagogy.
Prior to join the School, Olivia's career began working with a number of leading graphic design and advertising agencies. Olivia’s most recent industry role focused on internationalising a design and interior company. Olivia led the brand campaign in the Middle East, managing a design team and leading international design projects for the hospitality industry. Furthermore, operating freelance, Olivia developed and led an award-winning ecommerce design business to promote local and emerging design practitioners. She is a regular guest speaker at Digital Leaders and Woman in Digital and had worked as an enterprise mentor.
Olivia’s own practice has a digital focus and expertise is in research-driven, commercially orientated design. Her keen interest is in the area where design meets business. Olivia’s skills lie in developing the student’s ability to design commercially aware graphic and digital solutions.
Qualifications: BA (Hons), MA, (Studying PhD), CIM, FHEA